I was going to write a bit about how the new Civil Wars track was an "automatic add," meaning we'd play it (almost) no matter what, not unlike the Fleetwood Mac song I wrote about a few weeks back.
Something kinda shocking crossed my mind.
Of course, heritage artists with a major history on MVY are automatic adds. But it was only 2 1/2 years ago that this unknown band was cycling through my iTunes playlist and I thought they were compelling enough to give them a shot.
But with the story that has unfolded over the last 30 months (success; Grammys; collaborations with Taylor Swift, Emmylou Harris and The Chieftains; an abrupt break up; a surprise 2nd album) has made their new song a Must Listen.
So yes, expect to hear this on MVY.
Hear the song on Youtube.
Showing posts with label taylor swift. Show all posts
Showing posts with label taylor swift. Show all posts
Thursday, June 13, 2013
Monday, February 13, 2012
Taylor Swift "Mean"
My favorite two moments of last night's Grammy telecast were not performances (though I enjoyed many of them), nor speeches (though the radio gods answered my prayer and gave Bon Iver a Prime Time speech).
No, my favorite moments had to do with artist/audience reaction.
I can't say that I've ever spent any time listening to Taylor Swift. But I'm not a hater, either (on good advice from a friend).
And while she is frequently teased for her "What? Me?! You're applauding for ME?" thing, it still doesn't ring false to me.
I wasn't familiar with her song "Mean" (yeah, a portion of you think I must live under a rock), but I couldn't help but be struck by her sincerity delivering the song, the audience's full embrace of her at its conclusion, and (what seemed to be) her genuine surprise by the level of reaction.
As I watched the audience give her a thunderous standing ovation, it became immediately apparent that her story (of a hometown/school loud-mouth, demeaning her dreams of being a singer) was one that was most likely very real, to every performer in that room. You don't reach the level of success that it takes to get in that room, without slogging your way though dozens, if not hundreds (and if you count the internet, thousands and thousands) of loudmouths who sit on their barstool and shout that you're not good enough.
That's true whether you're a Beatle in your 7th decade of making music, on down to that singer-songwriter in the back row who's album hasn't come out yet.
The reaction was so personal.
In a different way, I was just bowled over by the reaction to Adele's performance.
I mean, she was awesome. But watch the audience just shower her with affection, and see her be genuinely moved by it.
Her record is well made, and her songs are strong, but I think what people reacted to about "21" and about that specific Grammy performance, was just how much Adele gives of herself.
You can invest a song with a lot of emotion, but there is a certain amount of acting involved to convey those emotions.
With Adele, she just seems to have much more direct access to her emotions, and less of a filter when she tries to project them outwardly.
I don't know if the average non-performer understands the talent involved in that level of expression, or understands that no amount of talent completely accounts of the ability---the ability is simply a function of how that person is made.
And that's what was striking about the applause. It was from a group of people who understand that Adele has a technical proficiency on a level above most people in that room, but who also understood that they were not just applauding for her ability, they were applauding for her.
It was a good night, for sincerity.
Watch the videos to the end for the audience reactions to see what I mean.
See the video on Youtube.
Hear a better quality, studio version on Youtube.
See the video on Youtube.
No, my favorite moments had to do with artist/audience reaction.
I can't say that I've ever spent any time listening to Taylor Swift. But I'm not a hater, either (on good advice from a friend).
And while she is frequently teased for her "What? Me?! You're applauding for ME?" thing, it still doesn't ring false to me.
I wasn't familiar with her song "Mean" (yeah, a portion of you think I must live under a rock), but I couldn't help but be struck by her sincerity delivering the song, the audience's full embrace of her at its conclusion, and (what seemed to be) her genuine surprise by the level of reaction.
As I watched the audience give her a thunderous standing ovation, it became immediately apparent that her story (of a hometown/school loud-mouth, demeaning her dreams of being a singer) was one that was most likely very real, to every performer in that room. You don't reach the level of success that it takes to get in that room, without slogging your way though dozens, if not hundreds (and if you count the internet, thousands and thousands) of loudmouths who sit on their barstool and shout that you're not good enough.
That's true whether you're a Beatle in your 7th decade of making music, on down to that singer-songwriter in the back row who's album hasn't come out yet.
The reaction was so personal.
In a different way, I was just bowled over by the reaction to Adele's performance.
I mean, she was awesome. But watch the audience just shower her with affection, and see her be genuinely moved by it.
Her record is well made, and her songs are strong, but I think what people reacted to about "21" and about that specific Grammy performance, was just how much Adele gives of herself.
You can invest a song with a lot of emotion, but there is a certain amount of acting involved to convey those emotions.
With Adele, she just seems to have much more direct access to her emotions, and less of a filter when she tries to project them outwardly.
I don't know if the average non-performer understands the talent involved in that level of expression, or understands that no amount of talent completely accounts of the ability---the ability is simply a function of how that person is made.
And that's what was striking about the applause. It was from a group of people who understand that Adele has a technical proficiency on a level above most people in that room, but who also understood that they were not just applauding for her ability, they were applauding for her.
It was a good night, for sincerity.
Watch the videos to the end for the audience reactions to see what I mean.
See the video on Youtube.
Hear a better quality, studio version on Youtube.
See the video on Youtube.
Labels:
21,
92.7,
adele,
every day I write,
grammys,
martha's vineyard,
mean,
MVY Radio,
mvyradio,
PJ Finn,
taylor swift,
WMVY
Friday, August 20, 2010
Taylor Swift "Love Story"
This week, guest blogger Lori Bargeron writes about 5 Celebrity encounters where she works, at Bobbie's Dairy Dip in Nashville, Tennessee.
Do you find it hard to take pop idols seriously? What if they're country crossovers? Is it even more difficult then? I call it "The Shania Twain Problem." It's like a flash in the pan-- you don't know how to categorize them, or how long their success will continue.
What I don't like about Taylor Swift's success is that some people (some of my friends, even) are so quick to dismiss it. She sings songs that are catchy, that girls the world over latch onto, identifying with her love-torn heroine character. And isn't that the goal of pop music? To create something that your audience can relate to, something that makes them feel at home for 3 minutes & 20 seconds. "Taylor gets it, Taylor gets ME," is what her audience thinks, and it's true. Taylor does get it. She's a pop idol with staying power. And all the while a gracious and classy young woman.
Taylor Swift has sold millions of records and won countless awards, and she is still amazed when she receives such acclaim. It is a dream come true for her, and she continues to be humble about it.
Not to mention that when Nashville flooded earlier in May of this year, Taylor donated half a million dollars during a local TV station's flood relief telethon-- the most by any one person or corporation. And that's just the tip of the iceberg when it comes to Taylor's philanthropic efforts. In 2007, she helped launch a Tennessee government-sanctioned campaign to protect minors from online sexual predators. She has donated to the Australian Red Cross for relief efforts made during the 2009 Victorian bushfires, and given money to the BBC's annual "Children in Need" telethon which distributes donations to various children's organizations all across the UK. Now, that's a superstar with good in her heart. So, it bothers me when people make fun of her "surprised to win a Grammy" face. And it bothers me when I hear people dismiss her as just another candy-coated tool of record label mass consumption tyranny.
Here's Taylor singing her "signature" song, "Love Story." It's like a diary entry. Taylor has been quoted as saying that her goal is to never write a song that her fans can't relate to. You should take her seriously...I definitely do (even though she does enjoy rainbow sprinkles).
Do you find it hard to take pop idols seriously? What if they're country crossovers? Is it even more difficult then? I call it "The Shania Twain Problem." It's like a flash in the pan-- you don't know how to categorize them, or how long their success will continue.
What I don't like about Taylor Swift's success is that some people (some of my friends, even) are so quick to dismiss it. She sings songs that are catchy, that girls the world over latch onto, identifying with her love-torn heroine character. And isn't that the goal of pop music? To create something that your audience can relate to, something that makes them feel at home for 3 minutes & 20 seconds. "Taylor gets it, Taylor gets ME," is what her audience thinks, and it's true. Taylor does get it. She's a pop idol with staying power. And all the while a gracious and classy young woman.
Taylor Swift has sold millions of records and won countless awards, and she is still amazed when she receives such acclaim. It is a dream come true for her, and she continues to be humble about it.
Not to mention that when Nashville flooded earlier in May of this year, Taylor donated half a million dollars during a local TV station's flood relief telethon-- the most by any one person or corporation. And that's just the tip of the iceberg when it comes to Taylor's philanthropic efforts. In 2007, she helped launch a Tennessee government-sanctioned campaign to protect minors from online sexual predators. She has donated to the Australian Red Cross for relief efforts made during the 2009 Victorian bushfires, and given money to the BBC's annual "Children in Need" telethon which distributes donations to various children's organizations all across the UK. Now, that's a superstar with good in her heart. So, it bothers me when people make fun of her "surprised to win a Grammy" face. And it bothers me when I hear people dismiss her as just another candy-coated tool of record label mass consumption tyranny.
Here's Taylor singing her "signature" song, "Love Story." It's like a diary entry. Taylor has been quoted as saying that her goal is to never write a song that her fans can't relate to. You should take her seriously...I definitely do (even though she does enjoy rainbow sprinkles).
Subscribe to:
Posts (Atom)
