Mumford And Sons "Lover Of The Light"

As noted on the earlier-this-week posts, the statistics of the Top 25 are pretty interesting.

For years, the Number One album on mvy was usually by a stalwart, heritage artist.  Someone like Bob Dylan or Mark Knopfler was most likely to garner the votes to get the top spot.  And that’s because our listeners, young and old, were operating under the consensus mind that Bob Dylan is a pretty amazing artist, and so lots of different kinds of listeners were voting for his album.

But over the course of the last few years, the Top spot has gone to a young artist who can build enough consensus from the bottom up.

Instead of being an established artist, the Number One record has been by a upstart artist with a breakout record.  And maybe that record started with the younger end of the audience, but was quickly embraced by the full spectrum of listeners.

Yes, your college student kid may have brought home the record first, but even your Dad taps along to the beat when the song comes on the radio.

So it was with last year’s Number One record, from Adele.

Adele’s “21” album managed the incredible feat of receiving twice as many votes from mvyradio listeners, as the Number Two record.  (You're gonna crack up, when you realize what was Number Two, last year)

I didn’t think anyone could pull that off again.

And yet, here we are.  Mumford And Sons’ “Babel” record actually receive more than twice the votes of the Number Two record.

You can view the whole list, and draw your own conclusions about what folks were excited about this year, on our Top 25 of 2012 page.


Hear the song on Youtube.

Taylor Swift "Mean"

My favorite two moments of last night's Grammy telecast were not performances (though I enjoyed many of them), nor speeches (though the radio gods answered my prayer and gave Bon Iver a Prime Time speech).

No, my favorite moments had to do with artist/audience reaction.

I can't say that I've ever spent any time listening to Taylor Swift. But I'm not a hater, either (on good advice from a friend).

And while she is frequently teased for her "What? Me?! You're applauding for ME?" thing, it still doesn't ring false to me.

I wasn't familiar with her song "Mean" (yeah, a portion of you think I must live under a rock), but I couldn't help but be struck by her sincerity delivering the song, the audience's full embrace of her at its conclusion, and (what seemed to be) her genuine surprise by the level of reaction.

As I watched the audience give her a thunderous standing ovation, it became immediately apparent that her story (of a hometown/school loud-mouth, demeaning her dreams of being a singer) was one that was most likely very real, to every performer in that room. You don't reach the level of success that it takes to get in that room, without slogging your way though dozens, if not hundreds (and if you count the internet, thousands and thousands) of loudmouths who sit on their barstool and shout that you're not good enough.

That's true whether you're a Beatle in your 7th decade of making music, on down to that singer-songwriter in the back row who's album hasn't come out yet.

The reaction was so personal.

In a different way, I was just bowled over by the reaction to Adele's performance.

I mean, she was awesome. But watch the audience just shower her with affection, and see her be genuinely moved by it.

Her record is well made, and her songs are strong, but I think what people reacted to about "21" and about that specific Grammy performance, was just how much Adele gives of herself.

You can invest a song with a lot of emotion, but there is a certain amount of acting involved to convey those emotions.

With Adele, she just seems to have much more direct access to her emotions, and less of a filter when she tries to project them outwardly.

I don't know if the average non-performer understands the talent involved in that level of expression, or understands that no amount of talent completely accounts of the ability---the ability is simply a function of how that person is made.

And that's what was striking about the applause. It was from a group of people who understand that Adele has a technical proficiency on a level above most people in that room, but who also understood that they were not just applauding for her ability, they were applauding for her.

It was a good night, for sincerity.


Watch the videos to the end for the audience reactions to see what I mean.


See the video on Youtube.


Hear a better quality, studio version on Youtube.


See the video on Youtube.

Adele "Someone Like You"

Well, we didn't really shock the world here, announcing that mvyradio's listeners voted Adele's "21" record to be our #1 Album Of 2011. I mean, she topped about a hundred other "Best Of" lists, too, including the telling Billboard list, which isn't necessarily a mark of quality, but in this case denotes that LOTS of people loved this record.

This is the last song on the record, and leaves the door wide open for what might come next . . .

She could go in a fully Pop direction, and cement herself as an icon of Gaga proportions.

There is the rumored Country record that she has mentioned in interviews. Seems her tour bus driver introduced her to Patsy Cline and other classic twangsters.

Or, as she as also mentioned in interviews, she could more directly emulate her biggest influence and become an Etta James for a new generation.

It just another thing to look forward to for 2012.

(added bonus on this song . . . it was co-written by Dan Wilson of Semisonic. So nice to see a great songwriter find collaborators who can take his gifts for melody, and hit a home run with it)


Hear the song on Youtube.