Here's another Weekend Post:
Holy weird obscurities. I’d forgotten about this cover. And when the cover had come out, I had forgotten the original!
Hear the song on Youtube.
Weekend posts are a chance to revisit songs that have happy memories,
not of anything in particular, other than just hearing the tunes.
Many
of these songs were tracks that I played during my 90s stint as an
Alternative/Modern Rock radio show. They're tunes that I hardly hear
these days, but are fun to revisit.
Click on the "Weekend Posts" label below, to see other posts like this.
Showing posts with label soul coughing. Show all posts
Showing posts with label soul coughing. Show all posts
Saturday, December 21, 2013
Friday, April 5, 2013
Soul Coughing "Screenwriter's Blues"
For a good 15 years now, if asked, I'd name "Ruby Vroom" by Soul Coughing as one of my Top 5 All Time Favorite Albums. It's a record I go back to regularly.
Maybe you've heard it, but wouldn't put it in your Top 5. Or Top 25. I get that.
Maybe you've heard it, but didn't like it at all. I get that.
Maybe you even actively dislike it, and can't possibly see how anyone could like it.
I can even buy that position.
Unless your name is Mike Doughty.
But yes, Mike Doughty, the former lead singer of the now defunct band, hates the music of Soul Coughing. And he's not shy about saying so.
In fact, he hates it so much that he's started a Pledge Music campaign, to raise money to re-record many of the songs from those Soul Coughing records, to put them in a more palatable form.
I am truly, legitimately confused about how to feel. The creation that I love is hated by the creator. And in doing so, it seems to cast doubt on my own personal taste
Hear the song on Youtube.
Maybe you've heard it, but wouldn't put it in your Top 5. Or Top 25. I get that.
Maybe you've heard it, but didn't like it at all. I get that.
Maybe you even actively dislike it, and can't possibly see how anyone could like it.
I can even buy that position.
Unless your name is Mike Doughty.
But yes, Mike Doughty, the former lead singer of the now defunct band, hates the music of Soul Coughing. And he's not shy about saying so.
In fact, he hates it so much that he's started a Pledge Music campaign, to raise money to re-record many of the songs from those Soul Coughing records, to put them in a more palatable form.
I am truly, legitimately confused about how to feel. The creation that I love is hated by the creator. And in doing so, it seems to cast doubt on my own personal taste
Hear the song on Youtube.
Thursday, January 24, 2013
Beyonce "The Star Spangled Banner"
First, let me say that I don't really care if Beyonce was lip-syncing.
I understand why, in a situation like a live Inauguration, outdoors, with many, many variables, you might pre-record your vocals, to make sure the performance is not torpedoed by something.
Now I DO find it bothersome if an artist has pre-recorded their vocals, and the vocals have been altered/improved/sweetened. But if the track was recorded earlier, then, in this kind of performance, who cares?
It kinda bugs me that people would make a big deal of this. Like it or not, when the visual performance matters, there is usually lip-syncing. Artists in TV appearances like The Superbowl, major concerts where the star is expected to dance complex routines, mediocre-but-attractive teen heartthrobs---they all lip-sync. You might as well be surprised that the McRib does not come from some kind of magical boneless pig.
People who don't like President Obama get fired up that he uses a teleprompter. Really? The guy gives hundreds, if not thousands of speeches a year, and you think he's carrying that around in his head? You don't even go to the grocery store without a list.
What's most annoying about this Beyonce "scandal" is that it is being reported mostly by people who don't know shit about what they are talking about. Which, sadly, is how much of the day's news---even the important stuff---gets reported.
Why not listen to an expert? My friend Jesse Barnett posted this link to Slate, where singer Mike Doughty (former of Soul Coughing) explains why its clear to him that Beyonce was definitely NOT lip-syncing.
Finally, a talking head who knows what he's talking about.
Hear the song on Youtube.
I understand why, in a situation like a live Inauguration, outdoors, with many, many variables, you might pre-record your vocals, to make sure the performance is not torpedoed by something.
Now I DO find it bothersome if an artist has pre-recorded their vocals, and the vocals have been altered/improved/sweetened. But if the track was recorded earlier, then, in this kind of performance, who cares?
It kinda bugs me that people would make a big deal of this. Like it or not, when the visual performance matters, there is usually lip-syncing. Artists in TV appearances like The Superbowl, major concerts where the star is expected to dance complex routines, mediocre-but-attractive teen heartthrobs---they all lip-sync. You might as well be surprised that the McRib does not come from some kind of magical boneless pig.
People who don't like President Obama get fired up that he uses a teleprompter. Really? The guy gives hundreds, if not thousands of speeches a year, and you think he's carrying that around in his head? You don't even go to the grocery store without a list.
What's most annoying about this Beyonce "scandal" is that it is being reported mostly by people who don't know shit about what they are talking about. Which, sadly, is how much of the day's news---even the important stuff---gets reported.
Why not listen to an expert? My friend Jesse Barnett posted this link to Slate, where singer Mike Doughty (former of Soul Coughing) explains why its clear to him that Beyonce was definitely NOT lip-syncing.
Finally, a talking head who knows what he's talking about.
Hear the song on Youtube.
Monday, August 23, 2010
Soul Coughing “Unmarked Helicopters”
I had two little moments converge last Thursday, and a song popped into my head.
Funny how that happens. If just one, or the other, thing had happened, the jukebox in my mind might not have kicked out the song.
I was in the studio, and I had a long set of music on. Usually, at about 2:30 or so (I’ve been in since 9am), I get a little hungry. Pull out a snack and put on a longer set of music. And I turn my mind off for a few seconds, by reading something non-music/radio related.
I check out the site The AV Club pretty much every day. And I enjoy its TV Club page, which feature many, many blogs by the AVC staffers, devoted to TV shows. I kept up with Treme and Lost, by reading along. And they have TV Club Classic, where a reviewer goes back and watches an entire series on DVD.
So I was checking in with the X-Files blog, because they were writing about one of my favorite episodes, "Jose Chung’s From Outer Space." Just reading quietly.
Around the time I had decided I was hungry, unbeknownst to me, President Obama was boarding Marine One, the Presidential Helicopter, just across Vineyard Sound, in Falmouth at Otis Air National Guard Base.
As I was reading about Men In Black and government conspiracies and shadowy figures, above my head I heard Thwump Thwump Thwump Thwump of helicopters above the mvyradio studios.
We’re in the flight path of the Martha’s Vineyard Airport, just a mile or so from the runway. It’s not unusual to hear planes overhead.
But these were helicopters with sidewinders. They were flying in formation. The President was on one. The others were diversions, decoys and/or protection.
I was thinking about the weird world of Presidential security, and all the logistics of keeping our leader safe, while reading about The X-Files.
And I remembered this track from the X-Files soundtrack.
It’s hard to imagine that there is a perfect song to go along with reading an X-files blog while the President of the United States flies over your office in a heavily armed helicopter. And yet, there is.
Funny how that happens. If just one, or the other, thing had happened, the jukebox in my mind might not have kicked out the song.
I was in the studio, and I had a long set of music on. Usually, at about 2:30 or so (I’ve been in since 9am), I get a little hungry. Pull out a snack and put on a longer set of music. And I turn my mind off for a few seconds, by reading something non-music/radio related.
I check out the site The AV Club pretty much every day. And I enjoy its TV Club page, which feature many, many blogs by the AVC staffers, devoted to TV shows. I kept up with Treme and Lost, by reading along. And they have TV Club Classic, where a reviewer goes back and watches an entire series on DVD.
So I was checking in with the X-Files blog, because they were writing about one of my favorite episodes, "Jose Chung’s From Outer Space." Just reading quietly.
Around the time I had decided I was hungry, unbeknownst to me, President Obama was boarding Marine One, the Presidential Helicopter, just across Vineyard Sound, in Falmouth at Otis Air National Guard Base.
As I was reading about Men In Black and government conspiracies and shadowy figures, above my head I heard Thwump Thwump Thwump Thwump of helicopters above the mvyradio studios.
We’re in the flight path of the Martha’s Vineyard Airport, just a mile or so from the runway. It’s not unusual to hear planes overhead.
But these were helicopters with sidewinders. They were flying in formation. The President was on one. The others were diversions, decoys and/or protection.
I was thinking about the weird world of Presidential security, and all the logistics of keeping our leader safe, while reading about The X-Files.
And I remembered this track from the X-Files soundtrack.
It’s hard to imagine that there is a perfect song to go along with reading an X-files blog while the President of the United States flies over your office in a heavily armed helicopter. And yet, there is.
Thursday, December 3, 2009
Mike Doughty “You Should Be Doubly Gratified”
. . . and “From A Gas Station Outside Providence” . . .
What do you think of this one?
Are lyrics, poetry? Poetry, lyrics?
Mike Doughty has had success and recognition as a member of Soul Coughing, as a solo performer and as a poet. And it seems like his writing moves pretty fluidly between both worlds.
Check out his poem, with words and images that pop, called “From A Gas Station Outside Providence.”
Then check out his new solo song “You Should Be Doubly Gratified.”
What do you think of this track? Is it something mvy should be playing? See this previous post, for details on how a song gets into rotation on mvyradio, then let me know what you think.
Buy the album, "Poemfone" for a couple of Doughty verses, and/or buy his new solo album "Sad Man Happy Man"
What do you think of this one?
Are lyrics, poetry? Poetry, lyrics?
Mike Doughty has had success and recognition as a member of Soul Coughing, as a solo performer and as a poet. And it seems like his writing moves pretty fluidly between both worlds.
Check out his poem, with words and images that pop, called “From A Gas Station Outside Providence.”
Then check out his new solo song “You Should Be Doubly Gratified.”
What do you think of this track? Is it something mvy should be playing? See this previous post, for details on how a song gets into rotation on mvyradio, then let me know what you think.
Buy the album, "Poemfone" for a couple of Doughty verses, and/or buy his new solo album "Sad Man Happy Man"
Friday, June 26, 2009
Soul Coughing "Uh, Zoom Zip"
When people talk about the Landmark sample-based records that middle America latched on to, where is Soul Coughing in that discussion?
The Beastie Boys "Paul's Boutique," the first 3 Public Enemy albums and De La Soul's "Three Feet High And Rising" are all seminal, in terms of ridding the prejudice against samples and beats. They met with varying levels of commercial success, but they are all records that people returned to years later for ideas and examples.
"Ruby Vroom" should be part of that canon, and I can't figure out why it isn't. It's such a smart record and it one-ups the others mentioned above, with lots of live playing---real drumming, a heavy bottom stand-up bass groove, and dense, imaginative lyrics that you could spend hours and hours parsing out.
It's an under-appreciated classic, to my mind.
Hear "Uh Zoom Zip"
The Beastie Boys "Paul's Boutique," the first 3 Public Enemy albums and De La Soul's "Three Feet High And Rising" are all seminal, in terms of ridding the prejudice against samples and beats. They met with varying levels of commercial success, but they are all records that people returned to years later for ideas and examples.
"Ruby Vroom" should be part of that canon, and I can't figure out why it isn't. It's such a smart record and it one-ups the others mentioned above, with lots of live playing---real drumming, a heavy bottom stand-up bass groove, and dense, imaginative lyrics that you could spend hours and hours parsing out.
It's an under-appreciated classic, to my mind.
Hear "Uh Zoom Zip"
Labels:
beastie boys,
de la soul,
public enemy,
ruby vroom,
sample-based,
samples,
soul coughing
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