Showing posts with label zipper. Show all posts
Showing posts with label zipper. Show all posts

Thursday, March 31, 2011

Rolling Stones "Sympathy For The Devil"

This Week: Excerpts From That Novel I'm Never Going To Write.

20 pages after looking at buttons, I delve into the history of The Zipper.

I wrote 2 possible endings for this chapter. I think the first one is a little truer to the whole premise, but relies on a "The Rolling Stones Are Old" joke. The second ending is a little snappier. Your pick.


The Amish think that zippers are the tool of the Devil.

What makes anyone think that the Devil uses tools?

Hell is pretty well known for its natural phenomena—the molten lakes, the brimstone-singed air, the occasional snowball-—but in no depiction of Hell is there ever any mention of a fine, handcrafted wooden cabinet or lawnmower go-cart.

The Devil never built a birdhouse.

No, tool of the Devil seems wildly inappropriate.

Really, if the Devil has any handicraft, it’s in the culinary arts.

He’s responsible for deviled eggs, deviled ham and devil’s food cake, among other sinful delights.

Yes, “appliance of the Devil” would be far more appropriate than “tool.”

Or “utensil of the Devil.”

The Charlie Daniels Band came close to popularizing the phrase ‘Instrument of the Devil’ with their 1982 hit “Devil Went Down To Georgia.” But the plan backfired when the Devil blew the fiddle contest and violin playing subsequently became associated with weakness, i.e. non-mastery of the forces of darkness.

Leaving us stuck with the nonsensical “Tool of the Devil.”

Really, even if you believed that zippers were evil, aren’t they more of a “Gadget of the Devil”?

So let’s examine this contraption of the damned. Go ahead, look at your zipper.

For love of God, please tell me you aren’t reading this book naked.

Can you believe that the first place you looked is the last place anyone thought to put a zipper?

Well, they say that inventions rarely end up being used for what they were originally intended. Thomas Edison invented the phonograph so people would be able to recall the voices of the dead. An intended use that seems lost on today’s music fans. Unless you listen to The Dead.

In 1851, Elias Howe patented the "automatic, continuous clothing closure,” a precursor to the zipper, but got distracted when another of his inventions caught fire. After dousing the flames and clearing the smoke from his workspace, Howe completed and patented the sewing machine, which then
figuratively caught fire among consumers.

It wasn’t until 44 years later that Whitcomb Judson created the “clasp locker” to replace those anachronistic “laces” in shoes. This complex eye-and-hook system-—only marginally like the zippers of today--was marketed by Judson’s own Universal Fastener Company, the place where in 1911 a young Gideon Sundback was making a name for himself as an electrical engineer. A recent widower, Gideon—-who knew the idle mind is the Devil’s playground--filled his lonely hours at the workbench. Two years later, he emerged from his grief with the familiar design that so frightens the Pennsylvania Dutch.

Yet to be called the “zipper” Sundback’s “Separable Fastener” set a zipping standard still adhered to today, consisting of about ten fastening elements per inch, with two facing rows of teeth that are pulled into a single piece by the slider.

It was the B.F. Goodrich Company that developed the name “Zipper,” using the Devil’s gadget on their rubber footwear. For reasons beyond modern comprehension, for the next twenty years zippers were used only on galoshes and tobacco pouches. It wasn’t until the 1930s that fashion designers put zippers on the crotch of children’s clothing. Soon zippers were replacing buttons on men’s “trousers.” Trousers, of course, would later be replaced by “slacks” during the Nixon administration, which would in turn be replaced by our modern day “pants.”

Through Howe, Judson and Sundback, from shoes to pouches to pants, the zippers’ journey from inception to acceptance took over eighty years.

The years following the trouser triumph have not been particularly eventful for the zipper. Oh sure, zippers can now be made of plastic and yes, they’re not just for the crotch anymore, but only one truly significant zipper innovation has occurred since the 1930s. That was The Rolling Stones 1971 release “Sticky Fingers,” which featured on the album cover an actual working zipper sewn into a photograph of leather pants.

(ending a)

Leaving it to the zipper to fulfill Edison’s promise of an invention that would help recall the voices of the dead.

(Note: as of this writing, Mick Jagger and Keith Richards are still alive, but I’m hoping that this book will be in print for a long, long time)

(ending b)

Perhaps that was just Sympathy For The Devil.

Tuesday, March 29, 2011

Jonathan Richman "There's Something About Mary"

This Week: Excerpts From That Novel I'm Never Going To Write.

I don't think I mentioned in my first post, that this story was intended to a comedy. Or at least to make you laugh a bit.

This next segment was one of the first profile/asides where I really did some research and tried to write some funny lines around it.

And at the time (1996 or so) I was pretty pleased with my "YKK" line.

Unfortunately, two years later "There's Something About Mary" came out, with a much funnier zipper joke. And I realized that anybody who read my zipper reference would think I was calling back to Ben Stiller's painful moment.

I made a note to myself to come back and somehow rewrite that section.

Never got around to it.

So here is my exploration of that everyday object and its complex life and etiology, The Button, zipper line in tact.


I think about the Amish sometimes.

Not so much about the hats. Or the barn-raisings. Or “Witness.” Or Kelly McGillis when her hair springs loose from the constraints of that dowdy kerchief and softly falls along the nape of her neck and her innocent--but no less ferocious--dormant sexuality becomes a warm rush that seeps to her core and radiates outward ten-fold.

That's not really what I think about when I think about the Amish.

Buttons.

Buttons is the answer. When the question is "What do I think about when I think about the Amish?" the answer is buttons.

The Amish consider zippers to be the tool of the devil. Those of you snickering have obviously never caught your wee-wee in a metal YKK. Yowch.

When I think about the Amish I think about the beauty of simplicity. I think about the Amish man, blinking awake with morning's first light, propping himself up on one elbow, shaking off his slow dreams of floating and spinning above sunny yellow fields. He rises, grounding himself in thoughts of the tasks of the day ahead. A simple, honest, ritualistic existence restarts anew with the fastening of the wooden buttons on his shirt.

From the buttoned-down executive to the button-fly fly-guys, buttons clasp together the fabric of our cotton/poly-blended lives, our cotton/poly-blended history. When blackouts during World War II threatened American nocturnal movement, what was the fashion industry's response? Buttons, chemically impregnated to glow in the dark. What put the town of Waterbury, Connecticut on the map? Buttons. It was in Waterbury that a small factory produced buttons for the Army and Navy when imported button supplies grew short during the War Of 1812. What made Shirley Temple so cute? Her Button nose--cute as a button that tyke. Who held the unprecedented feat of holding five major world figure skating titles (Olympic, world, North American, United States and European) all at the same time? The answer is Buttons. Dick Buttons. So? So, you say? You say, So? I say, Sew Buttons on your underwear. And button your lip.

And while you're there quietly thinking, answer me this--What do sitcom writers call the snappy crack that ends the scene with a big laugh?

Answer: The Button.