R.E.M. "Tongue"

"Are you guys getting wet out there?"

I was seeing R.E.M. on their tour supporting "Monster." It was their first tour in 6 years. Things had changed for R.E.M.

The last time they had been on tour, it was behind the album "Green," their 6th record, which, like each predecessor, got them a little more attention than the last record. They had graduated to playing arenas.

But albums seven and eight were real breakthroughs, major worldwide successes. So by the time record number nine, "Monster," was released, the band's decision to tour brought them to much larger venues, including outdoor amphitheaters.

This night, outside of Nashville, Tennessee, the weather wasn't so great. Rain had been on and off, and thunderstorms were threatening. But the rain had stopped when Michael Stipe asked the question:

"Are you guys getting wet out there?"

And it struck me as a sign of much change with R.E.M. when Stipe, is a slow, low voice, followed his question with:

"I'm a little moist myself."

With earlier albums touching on political subjects and more recent albums awash in tasteful strings, with their activism up-front-and-center and their prevailing attitude being unadulterated earnestness, R.E.M. up to that point, had never struck me as a "funny" band. Or a "sexy" band.

Fun? Yes. Energetic? Yes. Even cheerful? Sometimes. But not usually funny. And never playfully sexy.

But in a quick flash on the previous album (when Stipe throws an Andy Kaufman-as-Elvis-Presley impression into "Man On The Moon"), and moreso on "Monster," the band, and Stipe in particular, seemed to be having fun with the characters in the songs.

And the song that followed his "moist" quip seemed to be the culmination of a willingness to really be something different, be someone different.

He introduced the song by saying, "Sometimes I write songs for boys. Sometimes I write songs for girls. This one, is for the ladies."

Can you imagine a full-song falsetto, up-front and on top of the mix, on an early album like "Fables Of The Reconstruction" or "Murmur"? No way.

"Tongue" had it. It sounded great. It suited the band. It was a sign of change and of growth. It was a good moment.



See the video on Youtube.

From a documentary, with a bit of discussion about "Tongue"

See the video on Youtube.

R.E.M. “Man On The Moon”

All Time Top Five Movies That Cribbed Their Name From A Good Song, And Managed To Be Pretty Good Themselves . . .

It’s not that uncommon for a film to take its name from a popular song. This week I’ve been writing about some of the good ones. And there are certainly many, many bad ones.

But good, bad or in between, I don’t know of another song that actually helped get a movie made.

Danny DeVito had worked with Andy Kaufman on “Taxi,” and as a producer, he wanted to bring Andy’s story to the big screen.

Supposedly, when he was running into the resistance from studios, worried that “the kids these days” didn’t know or care who Andy Kaufman was, DeVito pointed out that R.E.M. had recently had a hit that was all about Kaufman.

The kids knew. The kids cared. The movie got made. The kids came.

Hear a sample of R.E.M. “Man On The Moon”


Hear the whole song, sung live by R.E.M. and Bruce Springsteen, see the R.E.M. music video, and a scene from the movie.

Buy ”Automatic For The People” and the Movie on DVD.