I'm definitely looking forward to seeing Alabama Shakes at this weekend's Newport Folk Festival.
That's based largely on the rave reviews of anyone I know who has seen them.
And it's partially based on the record.
Barbara asked me my thoughts on the record, and I had a surprisingly thorough answer. I hadn't even realized I had formulated a coherent thought.
"Wait for their 3rd record," was my answer. "The 3rd record is where they'll really hit it."
I like "Boys And Girls." I think there are plenty of strong songs on there. I seems to be a really great first record. But I don't think they've hit their full potential yet. Based on what I know of their live show, they are soooo much more than what is on that record.
They're not going to get it on record #2, most likely.
One year ago, they were playing little clubs. But the buzz has been so fast and so fierce, that they're playing on National TV and at major festivals and have jumped to a level of success that must be mind-boggling to them.
So the second record is likely to be either a) a product of frenzy, or b) a product of too many meddlesome outsiders.
I think of Robert Randolph And The Family Band.
Their first record (I'm not counting the live EP), "Unclassified" only scratched the surface of the amazing dynamic of their live show. But it catapulted them onto some very large stages.
The 2nd record . . . "Colorblind" was very popular (and, in doing research for this entry, seems to have received mostly positive-to-glowing reviews), but something about it rang false for me. It was full of co-writers and guest stars and smacked of producer-intervention.
It was the third record where I felt like I was really hearing the band that I had seen in concert.
Some of the credit, no doubt, comes from the band learning how to make records. And some of the credit, for sure, goes to T Bone Burnett, who seems to make records by removing all the extraneous BS, to leave only the most organic, natural beauty of the talent.
So hopefully, Alabama Shakes can take some of what they have (like the Stonesy-"Emotional Rescue" feel of I Ain't The Same), and pair it with the Road Dog/Veteran status they will acquire, and bring it to a producer who can get their record closer to the electricity of the live performances.
It's likely that T Bone Burnett's Bat-phone is already ringing.
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