When people talk about the Landmark sample-based records that middle America latched on to, where is Soul Coughing in that discussion?
The Beastie Boys "Paul's Boutique," the first 3 Public Enemy albums and De La Soul's "Three Feet High And Rising" are all seminal, in terms of ridding the prejudice against samples and beats. They met with varying levels of commercial success, but they are all records that people returned to years later for ideas and examples.
"Ruby Vroom" should be part of that canon, and I can't figure out why it isn't. It's such a smart record and it one-ups the others mentioned above, with lots of live playing---real drumming, a heavy bottom stand-up bass groove, and dense, imaginative lyrics that you could spend hours and hours parsing out.
It's an under-appreciated classic, to my mind.
Hear "Uh Zoom Zip"
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